Showing posts with label Lynn White. Show all posts
Showing posts with label Lynn White. Show all posts

February 25, 2018

Into the Light by Lynn White

I’m living through the time
of night without end.
The time when everywhere is transformed
into the underworld.
When everywhere is transformed 
into that dark place,
deathly dark.
Only the dark gods 
and the creatures of death can live there,
those who need no further sustenance,
who gave up on the light above.
I won’t give up.
I’m ready for the birth of a new day.
Ready for a pink dawn to rise
and break
full of possibilities,
as the light takes 
over from the dark
and the day is born
again.
I shall follow the road towards the light,
and leave the dark behind,
again.
But I have found that the dark always follows.
Catches up with me, as if it were the past.
If I hurry maybe I’ll escape it this time.
Maybe I’ll catch the light
and hold on to it and
not let it break
again.






Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. 

July 24, 2017

The Lighthouse by Lynn White

I was a little crazy
to buy the old lighthouse.
I knew it at the time.
But I wanted to be somewhere, 
somewhere where I could shine,
shine it’s lamps out into the vastness,
shine like a beaming beacon.
And it was so high.
It matched my mood and then some.
Higher than high.
Higher than high.

There was no housewarming.
No one came.
There was no one to come.
So, only I could relish the exposure.
Only I could walk round the top 
of the tower and look over the edge
into the dark deep depths.
Only I could see the swimmer,
a mermaid, surely? waving.
Or was she beckoning 
as she approached the mooring.
Only I could come spiraling down.
Come down from the heights 
to open the door,
to run down the steps
to the mooring.

And then the lamps went out.




*First published in With Painted Words October, 2015






Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality.