Drums beat, wildly, madly,
echoing grimly among the green hills.
In the distance forest trees
lashed by a titanic storm,
bend in obeisance to the gods
of a savage Spring.
In a circle, young girls dance,
at first their steps slow, graceful.
Bare, slender feet leave
soft, momentary footprints.
The drum beat quickens, darkens.
The dancers, captured, controlled
by the demands of the music,
quicken their footsteps
in the whirling hysteria of the violins.
One lone girl remains.
Faster, faster the music rushes
A crazy orgy, an insane tempo,
her feet no longer touch the turf.
Long, dark hair, blown and tortured
by the rising wind.
The dancer becomes a circle,
a whirling flash of colour and light.
a pattern, an emblem,
a dying sacrifice to Spring.
* Stravinski’s ballet ‘The Rite of Spring’ was first performed in Paris on 29th May, 1913 amid riots among some of the audience. It concludes with the Dance of Death.
Water rushes, angrily, cruelly,
crashing jagged boulders
against the soft, green banks.
Red clay colours the waters.
Now a stream of blood
dashes onward.
In forest glades
beneath the tangled roots
of oak and beech,
Death Cap, Funeral Bell,
fairy toadstools
to lure the unwary.
The elusive shapeshifter, hare,
runs through the bramble thickets
where sharp thorns hide
under new, green livery.
Beneath the sparkling
woodland pond
thick, black sludge
lies in ambush.
Sarah Das Gupta is a teacher from Cambridge, UK who enjoys writing poetry when it is getting dark and she can just see the bare branches of the trees and hear the river flowing quickly just below the window.
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