A Man Returns to the Scene of Where it Happened
He must have heard it.
Waves of anguish ripple through
a sky hemorrhaging orange.
He, mouth gritted,
clasps hands around
an invisible throat.
She is unseen but felt,
a roar in the wind,
a shudder in the boards
beneath his feet.
Does the scream fade?
Or echo endlessly going forward?
The bridge snaps
like the bones of a neck.
with or without his footsteps.
The Walls Speak
The walls make noise.
It’s not mice.
Since when do those creatures
whisper in perfect English?
And I’ve never come across
a rodent yet
that spoke to me by name.
Mere rustling
wouldn’t bother me.
Nor the occasional scamper
across the kitchen floor
in search of crumbs.
I can lay traps.
I can bait the nooks with poison.
But how do you trap the past?
How do you poison a memory?
When it’s the past that traps me?
And my memory is poison?
The walls keep repeating,
“I can’t forgive what you have done to me.”
They’re not referring to the cheap wall-paper.
More likely the bloodstains
that pattern is pasted over.
John Grey is an Australian poet, US resident, recently published in Shift, River And South and Flights. Latest books, “Bittersweet”, “Subject Matters” and “Between Two Fires” are available through Amazon. Work upcoming in Rush, Spotlong Review and Trampoline.
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