Exhibition
of walls that do not inspire.
My exhibit, unfindable,
its tenure, most questionable
and my thoughts, barely knowable.
The clientele here is largely invisible;
there is no gift shop or bar.
My dreams are the place of it
in total subservience
to the mind’s nightly excursions.
The house itself, changed while unchanged.
So, backwards down the path of time
and frontwards down the street itself,
watching that place of star-crossed pretending.
Back to days of smooth skinned sweethearts
honing their skills through moonlit walks
and wine stoked basement rendezvous,
though your touch itself was an intoxicant.
All that was needed in the moment
were a five-dollar bill and a borrowed car,
and summer jobs or dead-end jobs were fine
enough, it seemed.
Then back to the present
as a soft light fills your old room,
and motoring on,
leaving the past in the rearview mirror.
Phil Huffy writes early and often at his kitchen table, casting a wide net as to form and substance. His work has appeared in dozens of journals and anthologies, including Schuykill Valley Review, Eunoia, Pangolin, Orchards Poetry, The Lyric, and several haiku publications. Phil’s other interests are cycling, camping, pet care, potato chips, moonlight, and motor trips.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.