It was only a moment for you.
You took no notice.”
Vertigo, 1958
Novak’s French twist spiraled me to questioning the validity of here
the contemporary whether my life truly belonged to me or was I
braided in Hitchcock’s technicolor scene was
each sculpture on the screen an allegory carved with meaning from before I was born
every bench in the Palace of Legion of Honors a past life and
my behind is bobby-pinned to the traumas sieved through the polyester cushions there
One strand of peroxide-lifted hair is plucked out as I
let down my celluloid updo, shaking the shedding that died
and landed in a shredded pile before the portrait, is it
an offering to the ancestor I once was,
this string of dead cells, this curl that could only
belong to me I hold up this piece to a
Redwood tree split open, revealing a moment,
a vortex of dizzying coincidence rings dissected only for
the Jungian tourist, the recycled significance I used to be. I would tell you
which of my seeds came first, which would germinate and possibly become you
but the limbless statues, from which our likeness was made, already took
me, already hung my portrait since I had no
right to tell their secrets. Walk past my canvas. Hurry. Take no notice.
Isabel Grey is a Creative Writing MFA Student at Western Colorado University. Grey is an assistant poetry editor at Terrain.org. Her poem "This Act Shall Take Effect" was nominated for the 2024 Pushcart Prize. Her short story, 'Red Door Houe" won the 2023 WordCrafter Press Fiction Contest. Her upcoming work can be found in AfterPast Review, The Chamber Magainze, Black Poppy Review and elsewhere.
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